The Tall Grass Fieldįirst things first, it is pretty obvious that the rules of time and space do not apply to the fields with the tall grass.
![in the deep movie. ending in the deep movie. ending](https://i0.wp.com/signalhorizon.com/wp-content/uploads/2021/11/0-55-screenshot.png)
Ross now pursues the remaining three, including his own son, who are all now separated. As Ross stated, “all choices that he made, led to him”, referring to him killing several previous versions of Cal, who all made some choice to evade that fate, but failed. Ross kills Natalie, while the trio and Tobin scape to a nearby abandoned bowling alley, with Ross on their trail.įollowing some internal quarrels, Ross catches up to them, and in the ensuing struggle, kills Cal after showing him multiple of his dead bodies lying about in different stages of decay, implying that he had killed him before, multiple times. The group is initially persuaded by Ross to follow them, but after his wife Natalie confronts the group with the truth, stating that she saw Becky dead and that Ross tried to hurt her, coupled with them observing Ross obsessing over the black rock and its divinity, the group decide to part, ending in a tussle. I am also assuming that the other victims, the people whose cars Becky and Cal spotted parked by the Church, became the people with the grass faces that terrorise Becky, now permanently residing inside the tall grass field, possessed by the black rock. In a lot of ways, the rock works exactly like the Deadlights in ‘ It Chapter 2’, putting the victim in a state of trance, but in this case, they also do the perpetrator’s bidding, often by having things notoriously whispered in their ears. Ross coercing the others into touching the rock for “redemption” and “seeking a way out” is thus, by extension, the nefarious entity, calling out to the others to possess them too, its way of thriving. Ofcourse, it is to be assumed that during this time, Ross stumbled upon the rock some time before, touched it, and seemingly got ‘possessed’ by whatever ominous force was controlling the endless fields.
![in the deep movie. ending in the deep movie. ending](https://i.pinimg.com/originals/f6/65/3a/f6653adeb9c373e9824d80db97087e10.gif)
The Humboldt family, presumably even more.Īfter the six get together, Ross behaves strangely and insists that he knows the way out which the others could know too by touching the rock. The time for which the siblings were trapped inside the wilderness is presumably two months, during which their absence incites Patrick to come find them. As stated, some of them reunite after being reanimated from their death, following the discovery that the tall grass didn’t move dead things. While initially, the six, and Freddie, the Humboldt family’s dog are stranded alone, they somehow find their way back to each other and reunite after living through the same sequence of days and events, after many moons pass, which is also the reason why Tobin knew Becky was going to die. The rock has carvings of human figures indulging in various activities, presumably to serve as an omen in what was to become of the people trapped inside. Their only way out appears to be through a large black rock ‘planted’ in the middle of the field, like an oasis in a desert. Six people lured into a field of tall grass at different points in time find themselves unable to escape as they repeatedly go through the same dead end situations and failed attempts to escape.
![in the deep movie. ending in the deep movie. ending](https://hardtickettohomevideo.files.wordpress.com/2016/07/deep-blue-sea-1999-l-l-cool-j-thomas-jane-ending.jpg)
Without further ado, we thus deep dive into the explanation of its plot and ending. Indubitably, if you saw the movie, you would have questions since the film, intentionally or otherwise, leaves a lot of it to the viewer’s imagination, Just as the short story it is based on. However, the intrigue is undeniable and chances are that if you saw the trailer, you would be drawn into the movie. Within that, on a scale ranging from ‘ The Dark Tower’ to ‘ The Shining’, if the ‘It’ movies would find their place somewhere near the upper end of that spectrum, ‘In The Tall Grass’ would be somewhere in the middle. Even if a number of the best horror films of all time, including ‘ The Shining’ have been through the course of King’s pen, not all of Stephen King’s works’ adaptations rank in the pantheon of great filmmaking achievements. Adaptations, however, are tricky business.